Shahid Beheshti University Journal of Business Management Perspective 2251-6050 18 40 2020 02 20 Designing the Pattern of Brand Identity of Iran Nevesht, Collection of Islamic-Iranian Stationery Designing the Pattern of Brand Identity of Iran Nevesht, Collection of Islamic-Iranian Stationery 13 35 97066 10.29252/jbmp.18.40.13 FA Nader Jafari Haftkhani Assistant Professor, Department of Business Administration, Faculty of Management, Imam Sadegh University, Tehran, Iran. 0000-0002-8386-4589 Mohammad Yaghini M.Sc. in Islamic Studies and Business Administration, School of Management, Imam Sadegh University Journal Article 2019 11 01 Objective: Nowadays in order to have a strong brand with the maximum durability in mind, a strong root is required. Such root is the same brand identity. The most important theory in the field of designing a brand identity (intangible) is the Kapferer hexagonal prism. As a cross organizational brand, which itself has a particular place in the country's writing industry, "Iranian Stationary" (Iran Nevesht) is not an exception for needing the brand identity. The leading research seeks to present the brand identity pattern of "Iranian Stationary" (Iran Nevesht). A pattern that takes into account the requirements of the writing industry, appropriates to the native Iranian and Islamic culture.  Methodology: Data were collected in this research by the semistructured interviews with the producers, distributors and authorities of Iran Nevesht. Data analysis and coding were conducted by the thematic analysis method using MAXQDA. Finding: By counting organizing themes and then, the comprehensive themes, the network of brand identity themes was drawn.  Conclution: Finally, the brand identity pattern of Iran Nevesht was counted and drawn with respect to  ehtextracted comprehensive themes, inspired from the Kapferer identity prism and looking at the "great idea". Objective: Nowadays in order to have a strong brand with the maximum durability in mind, a strong root is required. Such root is the same brand identity. The most important theory in the field of designing a brand identity (intangible) is the Kapferer hexagonal prism. As a cross organizational brand, which itself has a particular place in the country's writing industry, "Iranian Stationary" (Iran Nevesht) is not an exception for needing the brand identity. The leading research seeks to present the brand identity pattern of "Iranian Stationary" (Iran Nevesht). A pattern that takes into account the requirements of the writing industry, appropriates to the native Iranian and Islamic culture.  Methodology: Data were collected in this research by the semistructured interviews with the producers, distributors and authorities of Iran Nevesht. Data analysis and coding were conducted by the thematic analysis method using MAXQDA. Finding: By counting organizing themes and then, the comprehensive themes, the network of brand identity themes was drawn.  Conclution: Finally, the brand identity pattern of Iran Nevesht was counted and drawn with respect to  ehtextracted comprehensive themes, inspired from the Kapferer identity prism and looking at the "great idea". https://jbmp.sbu.ac.ir/article_97066_48b8591eb23fd3ec3d932caf82d81144.pdf